My work consists of altered wheel thrown forms which after glazing are then epoxied to black iron nipples. I then connect the forms to each other with black iron fittings. I am concerned with movement, balance, flow, tension. The hardness of iron with the softness of clay, the cold of metal and the warmth of ceramics are important elements of my work. What appears to be strong is in fact quite fragile. One can see elements of the human body or birds in flight. There is a transformer quality to the work that can elicit discussion. That is always welcome.